kate molleson accent. Illustration by Jun Cen. kate molleson accent

 
 Illustration by Jun Cenkate molleson accent Photograph: Kate Molleson

Author. 15 EDT Last modified on Mon 3 Dec 2018 10. Classical music flourished, and yet when we reflect on the genre’s history its central figures seem to. First published in The Herald on 26 December, 2018. 25 Jennifer Walshe XXX Live Nude Girls (2003)Kate Molleson. 00 EST Last modified on Mon 3 Dec 2018 10. Show more. “Nothing really changes. Kate Molleson travels to Cairo to discover a lost aural music tradition of microtonal finesse, potently emotional voices and spectacularly skilful instrumentalists. Kate Molleson is a journalist and broadcaster and one of the UK’s leading commentators on contemporary classical music. She was a classical music critic for the Guardian for seven years and deputy editor of Opera magazine. 22:45. Profiling a dozen pioneering twentieth. Her. Brief Summary of Book: Sound Within Sound: Radical Composers of the Twentieth Century by Kate Molleson. 3, Sz. Tom Service, Hugh Canning, David Pountney, Peter Donohoe and Kate Molleson. 44 mins; 09 Sep 2023; Noye's Fludde. 99. Most pianists, silly buggers, prefer to play. 00 Close Scrape (Adam Linson and Matthew Wright. Von Trier shot much the film on Skye, though his setting is an invention: there are no oil rigs on the Scottish west coast, but the religion of the film points to the Hebrides. Tue 21 May 2019 11. 30 EST. Germaine Tailleferre (1892-1983) Kate Molleson revels in the spry and subtly surprising music of Germaine Tailleferre, with guests Barbara Kelly and Caroline Potter. Książka Sound Within Sound: Opening Our Ears to the Twentieth Century autorstwa Kate Molleson, dostępna w Sklepie EMPIK. Mark Fitzgerald reviews. Her articles. In a special edition of Music Matters, live from London's Southbank, Tom Service and guests debate the future of musical criticism. Kate Collard. The World's Largest Island. Thu 12 Sep 2019 12. This is a book of discovery that speaks of music as a life force, that urges us to live our lives through music. Music. Buy Sound Within Sound by Kate Molleson from Waterstones today! Click and Collect from your local Waterstones or get FREE UK delivery on orders over £25. 01 EST Last modified on Thu 26 Mar 2020 08. Kate Molleson travels to Cairo to discover a lost aural music tradition of microtonal finesse, potently emotional voices and spectacularly skilful instrumentalists. THE dawn of a new era for the Royal Scottish National Orchestra, with fresh management on the way (yet to be appointed). Spend an evening with author, journalist, critic and BBC Radio 3 broadcaster Kate Molleson for a celebration of her book Sound Within Sound. M aybe it’s perverse to pair Ilan Volkov with a totem of the Romantic canon such as Tchaikovsky’s Manfred. Listen now. Kaija Saariaho. 20 EDT Last modified on Sun 5 Apr 2020 11. Kate Molleson Fri 9 May 2014 13. It closed with sci-fi fantasy tunes and a blast of spectral acousmatics. The World's Largest Island. Kate Molleson. 76 ratings10 reviews. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. Kate Molleson is a journalist and broadcaster, and one of the UK's leading commentators on contemporary classical music. Date Wednesday, 27 February 2019. Best recordings of 2017. 44 minutes. Kate Molleson: 27 classical concerts not to miss. It was composed in 1853 but deemed so weird at the time that. 00 EDT Last modified on Mon 3 Dec 2018 10. Be ready to look up a lot of very interesting recordings. 15 EDT Last modified on Mon 3 Dec 2018 10. Christina Scharff is Senior Lecturer in Culture, Media and Creative Industries at King’s College London. Kate Molleson in conversation with cellist Abel Selaocoe and pianist Leif Ove Andsnes. 1858): Famed for her operas, this trailblazing queer Victorian composer was a larger-than-life. 30 EDT Last modified on Mon 3 Dec 2018 10. Two very different 20th-century violin concertos. Sat 13 Sep 2014 05. 33 EST. 30 EDT L ads in tracksuits hurl themselves across the stage, all hoods and fists and aggro. Kate Molleson. Kate Molleson. Radu Lupu plays Brahms, Emersons play Barber, Dinu Lipatti plays Bach. ” O’Rourke admits he used to be worried about risking his regional accent. S ibelius was young and intense when he wrote Kullervo, an epic combination of symphony and cantata that he. She was a classical music critic for the Guardian for seven years and deputy editor of Opera magazine. Kate Molleson meets Finnish composer Kaija Saariaho in Paris - the city she has made her home since 1982. Description. This is a book of discovery that speaks of music as a life force, that urges us to live. First published in The Herald on 23 August, 2017 . There are bouts of mild slapstick and comic regional accents – in fact, you couldn't ask for a more solid, safe production. 19 EST I t’s a perverse thing to say about a disc of solo bass cantatas, but I like this recording best for its. T here are some juicy anomalies at the heart of Tectonics, the festival of new music curated by Ilan Volkov and Alasdair Campbell and hosted by the BBC. 22 EST “T he experiment is always about whether something will hold,” says Toronto-based US composer Linda Catlin. “Well, at least maybe there was a clarity to that role. The panel before the broadcast. From 2010-2017 she was a music. Whoever takes on the job could perform one essential service within minutes of taking office, and get rid of Northern Drift , the witless entertainment. 'Wonderful . Interview: Graham McKenzie on 40 years of Huddersfield. Kate Molleson. The Guardian - Back to home The Guardian. Particular revelations for me: Muhal Richard. ' Fiona Maddocks 'Pioneering. Haydn mucks about with phrase lengths, harmonies and hierarchies. paperback ebook hardback. 44. By Kate Molleson. Tue 14 May 2013 14. He’s notoriously laconic in interviews but today he is charming; anything daft or pretentious is met with a raised eyebrow, nothing worse. Be ready to look up a lot of very interesting recordings. 53 EST Last modified on Tue 8 Aug 2017 14. T his music emerged from horror – most of it was written in a second world war camp; the premiere took place. 25 EST. " (The Symphonist @deeplyclassical)The Guardian - Kate Molleson - Thursday 16 October 2014 Victoria Yarovaya is terrific as Cenerentola, with a velvet low register and dazzling coloratura to boot. Spanish edition | by KATE MOLLESON and JAVIER ROMA | 18 May 2023. 24 EST T his production is a joy to watch: an enchanting, big-hearted, supremely lovable piece of whimsical animation and. A few weeks ago, Jennifer Walshe was backstage at a concert hall in Essen, Germany, searching for the exit when she paused near the green room. A case study. This is the impassioned and exhilarating story of the composers who dared to challenge the conventional world of classical music in the twentieth century. Armenian pianist Tigran Hamasyancan be a hectic stage act – think high-voltage fusions of hip-hop, pop and. She was a classical music critic for the for seven years and deputy editor of magazine. Weight: 581 g. . They helpfully message to tell me my accent is annoying! So - genuine q - would it be a) more annoying or b) less annoying if i mentally hopped over to Zwickau every time I say Schumann on the radio? Faber acquires new landmark alternative history of twentieth-century music by Kate Molleson. The secret life of musical instruments. 24 EST. ' Miranda Seymour 'Remarkable. This is a book of discovery that speaks of music as a life force, that urges us to live our lives through music. A new book by Kate Molleson, 'Sound Within Sound: Opening Our Ears to the Twentieth Century', explores the work of ten composers who have been left out of standard musical histories. 30 EDT Last modified on Tue 18 Apr 2017 11. Kate Molleson visits the world’s largest island to explore the role of traditional and new music for its communities today. View Kate Molleson. Kate Molleson. £18. Kindle Edition. 40 EDT T his year’s Celtic Connections festival is billed as “a celebration of inspiring women artists”. The Royal Philharmonic Society Awards celebrate classical musicians nationwide, shining a light on brilliant individuals. Kate Molleson. Performed live 'Prím' by Áskell Másson. 4. Show more. Buy Sound Within Sound: Opening Our Ears to the Twentieth Century Main by Molleson, Kate (ISBN: 9780571363223) from Amazon's Book Store. Faber will publish the as yet untitled work by Kate Molleson in Spring 2022. In his early years as artistic director of the Huddersfield Contemporary Music Festival, Graham McKenzie introduced a festival slogan: ‘Music Lives in Everything’. Dreyer hated it – primarily because Ducapot had trashed the film’s meticulous framings by cropping the image to make room for. 30 EDT Last modified on Tue 18 Apr 2017 11. Kate Molleson travels to Jerusalem to meet a legend of Ethiopian music, the piano-playing nun, Emahoy Tsegue-Maryam Guebrou. 99. She travels to upstate New York to visit Annea Lockwood, the 82-year-old New Zealander who is fascinated by how sound is. He himself fostered a personality cult that went way beyond the music to encompass fashion, spirituality, even a galactic origin story. Edition: Main. 05 EST Last modified on Mon 31 Jan 2022 12. ’. It just isn't quite. 76 ratings10 reviews. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. Maybe because. Pianist Vikingur Ólafsson talks to Kate Molleson about his new double album From Afar. Kate Molleson is on Facebook. £10. Kate Mendez. Her documentaries (BBC Radio 4, BBC World Service) have investigated music in Greenland, opera in Mongolia, lost recordings of Arabic classical music and the Ethiopian nun/pianist/composer Emahoy Tsegué-Maryam Guèbrou. 31 EST. 'Wonderful . . 35 EDT. Weight: 304 g. Available now. Kate Molleson is a distinguished teacher, journalist and broadcaster whose New Music Show on Radio 3 is a crucial component of that station’s gradual and, some may say, long overdue policy of embracing a more inclusive, global concept of what could be termed modern classical music. 4. She has presented documentaries for BBC4 and BBC. paperback ebook hardback. Germaine Tailleferre (1892-1983) Kate Molleson revels in the spry and subtly surprising music of Germaine Tailleferre, with guests Barbara Kelly and Caroline Potter. Kate Molleson’s Sound Within Sound is a sparkling, revelatory lurch off of the highway of male white 20th century composers and across some of the glorious, underappreciated meadows and moors of the innovative but marginalized. 41 EDT Last modified on Mon 3 Dec 2018 10. With an OverDrive account, you can save your favorite libraries for at-a-glance information about availability. However, I’m reserving my greatest excitement for Sound Within Sound: Opening Our Ears to the Twentieth Century (Faber, July), in which Kate Molleson, the Radio 3 presenter, will tell the story. Available now. When Radio 3 presenter and critic Kate Molleson was a child, she would take her Fisher-Price tape machine to bed, clutching it like a cuddly toy, falling asleep to Monteverdi madrigals. 31 EDT Last modified on Tue 18 Apr 2017 11. The music critic and broadcaster Kate Molleson introduces us to ten 20th-century composers whose works are rarely included in the “canon” of classical music – because they are not white, male and Western. Landmark alternative history of twentieth-century music, Sound within Sound by Kate Molleson will be published in Spring 2022. 50 avg rating, 10 ratin. Traversing the globe from Ethiopia and the Philippines to Mexico, Jerusalem, Russia and beyond, journalist, critic and BBC Radio 3 broadcaster Kate Molleson tells the stories of ten figures who altered the course of musical history, only to be sidelined and denied recognition during an era that systemically favoured certain sounds - and people. 24 EST. First published in The Herald in November, 2011. Episodes ( 4 Available) Piers Hellawell’s Rapprochement. This set of questions provides potentially useful context for Kate Molleson’s masterful new book, Sound Within Sound. 80 years of broadcasting history, one esteemed presenter for the past 25… Nae pressure!! First stops: Ligeti, Scarlatti, Tailleferre 💥”Kate Molleson Thu 7 Dec 2017 10. Kate Molleson is a music journalist who regularly presents BBC Radio 3 programmes including Breakfast, Music Matters and Afternoon Concert. Kate Molleson. 52 EDT “C an music resonate with the world around us, and yet still create a world of its own?”Kate Molleson: 'Where we are at now is tokenism without thinking of the. B eethoven’s massive and confounding Diabelli Variations isn’t the obvious choice for a debut disc,. In 1917, coined the term “ ” – furniture music – in a radical stunt of deadpan performance art. . But this one irked more than most. . When he arrived in London in 1712, German-born George Frideric Handel was already one of Europe’s. Available now. Molleson studied clarinet performance at McGill University and musicology at King's College London, where she researched early experimental radio and the operas of Ezra Pound. 51 EDT. She is author and co-editor of. Kate Molleson is a Glasgow-based music critic. 45 EDT T he second track of Martyn Bennett’s 1998 dance album Bothy Culture features the word “aye” muttered in. A classically trained maestro whose life story arcs and arcs again, her enigmatic music came to worldwide attention thanks to Francis Falceto’s Ethiopiques series. Kate Molleson meets Finnish composer Kaija Saariaho in Paris, the city she has made her home since 1982. One of the great recurring traits in the music of Pauline. 54 EDT James MacMillan ’s first full-scale opera is harrowing – almost unremittingly, sometimes salaciously. The number of biographies and autobiographies of artists is colossal, but what makes Sound within Sound unique is the largely unknown contributions of the ten twentieth-century artists Kate Molleson has featured. Kate Molleson is a music journalist and broadcaster who writes for The Guardian (UK), The Herald (Scotland) and publications including Opera and Gramophone. All Articles. The string playing has to be faultless, delivered with real ardour and perfection. Show more. “I was a Mod teenager who was obsessed with the Delta blues. Thu 21 Apr 2016 10. Kate Molleson Thu 25 May 2017 13. Excuse the cheesy grin but am southbound for bit of a dream gig . Kate Molleson explores Vaughan Williams’s burgeoning friendships with Gustav Holst and Adeline Fisher, who would become his first wife, and the first few Christmases they spent together. ; View basket. On merfolk, selkies and Sally Beamish’s new ballet score for The Little Mermaid. 30 EDT. Royal expert Duncan Larcombe says that while Kate has always been well spoken, her accent has changed over the years. Edinburgh. Available now. You can read this before Sound Within Sound: Radical Composers of the. Facebook gives people the power to. Understandable as English National Opera’s need is to cut costs, to cancel their first project outside London in 15 years is the wrong way to save money. P remiered in Birmingham town hall in 1846, and a fixture of massed British choral societies ever since,. How to say Kate Molleson in English? Pronunciation of Kate Molleson with 1 audio pronunciation and more for Kate Molleson. 19 EST. ” He’s looking sheepish, like he’s just acknowledged a big guilty secret. 26 EST. A writer for The Guardian and The. We’re making a new noise that nobody has made before, but you can still hear where we come from. Kate Molleson. First published in The Herald on 5 February, 2014. Channel. She presents BBC Radio 3’s New Music Show and Music Matters, and her articles have been published in the Guardian, New Statesman, Prospect, the Herald, BBC Music Magazine and elsewhere. Kate Molleson visits Glyndebourne Festival Opera to hear about its new production of Ethel Smyth’s The Wreckers, and Tom Service meets conductor Michael Tilson Thomas. Kate Molleson. Antonia Fraser 'A breath of fresh air. Thu 16 Mar 2017 14. 30 EDT Last modified on Mon 3 Dec 2018 10. Kate Molleson’s Sound Within Sound is a sparkling, revelatory lurch off of the highway of male white 20th century composers and across some of the glorious, underappreciated meadows and moors of the innovative but marginalized. Thu 3 Dec 2015 08. Show more. I'll be in convo with one of my musicology heroes . August 18, 2022 11:37pm. Sign up to save your library. 36 EST. Kate Molleson. Thu 1 Dec 2016 10. 00 Close Scrape (Adam Linson and Matthew Wright. 03 EST R evamping a cult masterpiece is a dangerous business, and Bright Phoebus – the 1972 album by siblings Mike and. She presents BBC Radio 3’s New Music Show and Music. Faber will publish the as yet untitled work in spring 2022. Something similar. Kate Molleson, who presents a show on the BBC’s classical music station, Radio 3, told the Edinburgh Book Festival that many lesser known composers, including women and those from ethnic. Kate Molleson. She has worked a multitude of positions in these fields, and has been able to build her experience globally while working in a large. Asked once whether she had any advice for young composers, Thea Musgrave replied: ‘Don’t, unless you really have to; then you’ll do it anyway. Kate visits pianist Ruth McGinley at her studios in The MAC in Belfast to chat about her upcoming album of Irish airs and her unique approach. Twenty-two movements, 14 hours and 16 CDs worth of spangling cosmic sound play:. The Association for the Advancement of Creative Musicians (AACM) has a noble history – founded in 1965 as a. Kate Molleson chooses her favourite recording of Prokofiev's Peter and the Wolf. She resumed playing. Her documentaries (BBC Radio 4, BBC World Service) have investigated music in Greenland, opera in Mongolia, lost recordings of Arabic classical music and the Ethiopian nun/pianist/composer Emahoy. Reviewed in short: New books from Jonathan Freedland, Kate Molleson, Linda Villarosa and Benjamin Wood. Kate Molleson. 79 ratings11 reviews. Your basket is empty; Delivery included on your order!. Her love of Bach, Beethoven, Vivaldi and Tchaikovsky followed soon after; then her interests moved to ambitious modern composers, many of whom were not western. She was a classical music critic for the Guardian for seven years and deputy editor of Opera magazine. Faber acquires new landmark alternative history of twentieth-century music by Kate Molleson. KATE MOLLESON is a journalist and broadcaster who presents BBC Radio 3’s New Music Show and Music Matters. Verified account Protected Tweets @; Suggested usersThis entry was posted in Features on April 5, 2018 by Kate Molleson. Kate Molleson Thu 12 Oct 2017 10. She presents BBC Radio 3's New Music Show and Music Matters, and her articles are published in the Guardian, The Herald, BBC Music Magazine, Opera, Gramophone and elsewhere. £10. Kate Molleson and Tom Service present exclusive recordings, new releases, composer interviews and features from around the UK. 56 EST Last modified on Thu 26 Mar 2020 08. Perhaps available later on BBC Sounds/i-player. It is broadcast daily from Monday to Friday at 12 noon for an hour, each week's. To find out, Kate Molleson travelled 1,000 miles across the country to meet latest star Ariunbaatar Ganbaatar, drinking mare’s milk, sleeping in yurts and recording its vocal masters Kate Molleson As Mental Health Awareness Week draws to a close, Kate Molleson surveys the musical world's responses to mental wellbeing. It’s a collaboration between artists steeped in tradition but constantly breaking new ground. The latest tweets from @KateMollesonMusic and Language. Kate Molleson. We get loads of feedback, overwhelmingly warm & good-humoured, and I don’t usually oxygenate the gripes. 13 EDT. 31 EDT. Available now. James Dillon shrugs as he describes his childhood as a contradiction. Home. Kate Molleson speaks to conductor Donald Runnicles and visits Xenia Pestova Bennett to hear about her new album featuring a magnetic resonator piano. Episodes ( 4 Available) Piers Hellawell’s Rapprochement. Opera star Renée Fleming talks about her 'Music and Mind Live' webinar. . Kate Molleson Tue 10 Sep 2013 14. 30 minutes. 29 EST. This cycle has enthralled, surprised and delighted me as much as anything I've heard. A rare look at footage from Emahoy Tsege Mariam's concert in DC in 2008. View basketRobin Ticciati OBE has been Music Director of the Deutsches Symphonie-Orchester Berlin since 2017 and Music Director of Glyndebourne Festival Opera since 2014. 14 with the Scottish Chamber Orchestra,. Buy Sound Within Sound by Kate Molleson from Waterstones today! Click and Collect from your local Waterstones or get FREE UK delivery on orders over £25. Kate Molleson is a journalist and broadcaster and one of the UK's leading commentators on contemporary classical music. Kate Molleson tells. 30 EDT Last modified on Mon 3 Dec 2018 10. Music under threat in Kabul. She joined the BBC as a researcher for Radio 4 in 2005 and soon after became a reporter and. Birtwistle was born in Accrington, Lancashire, in 1934, and though he left in the 1950s his accent is still intact. This is a book of discovery that speaks of music as a life force, that urges us to live our lives through music. T here was bittersweetness to the brilliance of this concert: it was the start of Donald Runnicles’s last season as chief conductor of the BBC Scottish Symphony Orchestra, and it. KATE MOLLESON is a journalist and broadcaster and one of the UK’s leading commentators on contemporary classical music. F olk-music politics is a funny business. 51 EDT. This is the impassioned and exhilarating story of the composers who dared to challenge the conventional world of classical music in the twentieth. (BBC3, Kate Molleson) "My #BeethovenOdyssey has so far covered 134 conductors and 1098 symphonies across 730 hours. R apt, intensely subtle, exquisitely slow, the music of Eliane Radigue was the heart and soul of this year’s. Thu 25 Aug 2016 10. On air was “The Bee-Sting”, an unpublished song byElizabeth Alker. Kate Molleson. Kate Molleson presents a live edition of Music Matters from London's Broadcasting House. He's the voice of Radio 3's The Listening Service and frequently presents the new music show Hear and Now, the BBC Proms. Living quietly in a small cell of the Ethiopian Orthodox Church in Jerusalem, Emahoy Tsegué-Maryam Guèbrou spends most of her time with God and her piano. Was it a white man? Perhaps in old-fashioned clothing and wild hair? The music history we're told. This is the impassioned and exhilarating story of the composers who dared to challenge the conventional world of classical. “Some news 🥁 Big honour to be joining @BBCRadio3’s Composer of the Week. . A writer for The Guardian and The. 15 EDT Last modified on Mon 3 Dec 2018 10. Latest articles. Kate Molleson is a music journalist who regularly presents BBC Radio 3 programmes including New Music Show, Music Matters and Afternoon Concert. She sang for Haile Selassie but later retreated from the world, living barefoot in a hilltop monastery, perfecting her bluesy, freewheeling sound. 00 EST. Ernest Bloch. Traversing the globe from Ethiopia and the Philippines to Mexico, Russia and beyond, Kate Molleson tells the stories of ten figures who altered the course of musical history, only to be sidelined and denied recognition during an era that systemically favoured certain sounds – and people – over others. The focus will be on broadcast and print journalism, led by Peter Meanwell (artistic director of Borealis – a festival for experimental music [Norway], creative director of audio production company Reduced Listening Ltd [UK]) and Kate Molleson (BBC Radio 3 presenter, ex-Guardian music critic [UK]). 4:49 PM · Apr 22, 2023. Download (UK Only) Choose your file Higher quality (128kbps). Brahms: Symphonies (Linn). Kate Molleson’s Sound Within Sound is a sparkling, revelatory lurch off of the highway of male white 20th century composers and across some of the glorious, underappreciated meadows and moors of the innovative but marginalized. 19 EDT Last modified on Tue 9 Mar 2021 02. Presenter, BBC Radio 3. C hamber music for winds doesn’t get better than the mighty Gran Partita – 50 minutes of Mozart at his most. T hree cheers for marginalisation! True, being cold-shouldered prevented the various female, minority ethnic and non-Western composers that feature in Kate Molleson’s new history of 20th-century music from fully accessing the fruits of the Western musical-industrial complex. Episode 5 of 5. Princess-kate Ismael. Kate Molleson is a Radio 3 presenter and music journalist. Thu 14 Jan 2016 14. ”Kate Molleson. 17 EDT. 25 EST Last modified on Thu 26 Mar 2020 08. Monteverdi: Vespers (PHI) Claudio Monteverdi knew passions were complicated. and fragments his melodies into rhythmic motives with shifting accents à la Stravinsky. 16 EDT Last modified on Thu 26 Mar 2020 08. 18. 30 Manuel Pessoa De Lima Skip Ad 19. 00 EST Last modified on Tue 18 Apr 2017 11. There are bouts of mild slapstick and comic regional accents – in fact, you couldn't ask for a more solid, safe production. 05 EDT First published on Tue 9 Sep 2014 09. Come along!Kate Molleson. Porous borders / in praise of the inbetween. You would end up with a generation who didn’t know how to play The Bucks of Oranmore, but who could trot out our tune Far From Portland. Launching the classical music content of the Edinburgh international festival early signals its importance, but it’s hard to tell what makes it distinctive from other festivals or. Thu 2 Feb 2017 10. Thu 17 Aug 2017 10. Exciting contrasts, powerful accents,. Kate Molleson is a journalist and broadcaster. This survey of ten composers, all basically at one or another extreme of twentieth century music composition, is highly readable. The one thing all readers will discover throughout is that one cannot separate the lives and tribulations these artists faced from. Show more. A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. Donald Macleod is the ultimate gentleman broadcaster… a true statesman of the airwaves with. Kate Molleson. 18 EST I ’ve always loved the way Steven Osborne plays French music – for the flux and febrile atmosphere, yes, but. Speaker: Kate Molleson. ' COSEY FANNI TUTTI KATE MOLLESON is a journalist and broadcaster and one of the UK’s leading commentators on contemporary classical music. 49 EDT. It has to be cleanly articulated with a ton of accents. First published in The Herald on 21 March, 2018.